Disordered Daggers : The Turn of the Key by Ruth Ware (2019)

 

( There were lush evergreen bushes studded with berries of all types, overgrown tangled creepers, and a few flowers struggling to survive beneath the onslaught. I recognized a few—hellebores and snowberries springing up from between dark-leaved laurels, and what I thought might be a laburnum up ahead. As we turned a corner, we passed underneath an ancient-looking yew so old it formed a tunnel over the path, its strange, tubular berries crunching underfoot. Its leaves had poisoned the ground, and nothing grew underneath its spread. There were more greenhouses in here, I saw, though they were smaller, still with enough glass in their broken frames to have built up an impressive amount of condensation. The inside of the glass was blotched with green lichen and mold, so thickly that I could barely see the remains of the plants inside, though some struggled up through the broken panes of the roof. Four brick paths quartered the garden, meeting in a small circle in the centre, where the statue stood. It was so covered in ivy and other creepers that it was hard to make out, but as I drew nearer, brushing aside some of the foliage, I saw that it was a woman, thin and emaciated and broken down, her clothes ragged, her face skull-like, her blank stone eyes fixing mine with an accusing stare. Her cheeks were scored with what looked like scratches, and when I peered closer I saw that the nails on her skeletal hands were long and pointed. )